Staff writer Sage Rosenfeld reviews Mark Anthony Green's “Opus,” which displays a lackluster plot despite brilliant ...

In Opus, director Mark Anthony Gree attempts to dissect the relationship between fame, power, and blind devotion.

Fyodor Dostoevsky said that “beauty saves the world.” By this, he meant that beauty would remind, inspire, and move us to ...

Ayo Edebiri and John Malkovich square off in a film pitting a culty pop musician against the critics, but Opus needs far more ...

In the new horror movie “Opus,” we are introduced to Alfred Moretti, the biggest pop star of the ’90s, with 38 No. 1 hits and ...

What had been an intriguing premise to talk about fame and the parasitic industries that live off it turns into a gross-out, ...

Ayo Edebiri hive RISE.

It seems like every few months, audiences are subjected to another film about some crew of 21st-century archetypes being ...

The "Opus" ending has a twist that makes audiences reconsider how they view Moretti, John Malkovich's mysterious pop star turned cult leader.

Earlier this year, I had the opportunity to attend the world premiere of Opus at the Sundance Film Festival. I arrived at the premiere over an hour early and still ended up halfway down a line that ...

While I initially had high hopes for this film because the general plot sounded intriguing and I am a big Ayo Edebiri fan, I ...

In "Opus," writer/director Mark Anthony Green's directorial debut feature, a young journalist gets invited to the odd private compound of a reclusive music legend, who may also be a creepy cult leader ...