As we watch on as a struggle of binaries plays out in the US, ahead of the publication of her timely new book, architect and writer Professor Keller Easterling asks: ”What if political stances were ...

“It is not only In-Situ’s position as a bricks-and-mortar venue in the heart of the community which qualifies it as being embedded.” On the occasion of In-Situ’s 10th anniversary, co-founder William ...

Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway. Here, she explains why the movement has become a political statement, a seizure of power and a ...

An experimental and hypnotic film made with Super 8, Jarman’s The Last of England is a scathing attack on the state of Thatcherite Britain, homophobia and the treatment of AIDS victims, finds Adam ...

Arts and culture organisations have been anxiously waiting for their fates to be revealed this morning, as Arts Council England finally announce who gets the 2023-26 round of ‘National Portfolio ...

Random Acts: Artists Interventions into Broadcast Linda Pittwood finds that, despite the pervasive and ubiquitous internet, TV remains a powerful medium for the message … Dangerous Games is a powerful ...

Artist Richard Crooks translates his phenomenological wanderings into dynamic colourful collage. Here, Stephen Clarke, curator of Crooks’ current show, finds parallels in the making of his work with ...

Entrusted with the task of interviewing Jonathan Barnbrook at this year’s Designival, I was understandably a little bit nervous. Barnbrook is somewhat of a legend within the realm of graphic design, ...

“Doing better is the overarching motif of Kaleidoscopic Realms.” Mike Pinnington on a group exhibition putting learning disabled and neurodivergent artists front and centre… Kaleidoscopic: having ...

A new exhibition at Tate Liverpool takes as its departure point the docks on which the building stands, before plunging us into the depths and beyond. Mike Pinnington reviews The Plant That Stowed ...

Why Do Galleries Exist? C. James Fagan wants to be stimulated by the things he sees in the gallery. But is that what the gallery is for? Here, he ponders the broader purposes and concerns of our ...

Colour, line, and the female form converge, as minimalist painter Daniel Halsall (below) exhibits works on paper, inspired by Schiele, Matisse, Picasso and others. With more than 200 works from 85 ...