Mumford & Sons and Hozier finally deliver their first studio collaboration with Rubber Band Man, a soaring folk anthem produced by Aaron Dessner.

Richard Ashcroft’s Money To Burn video, directed by Jonathan Glazer, signalled his arrival as a solo artist after The Verve, pairing cinematic visuals with soulful rock ambition.

Elton John’s Captain Fantastic And The Brown Dirt Cowboy turns 50. The landmark 1975 album that charted Elton and Bernie Taupin’s early struggles is being reissued with demos, live recordings, and the ...

Hayley Williams has released Good Ol’ Days, a new single from the final physical edition of Ego Death At A Bachelorette Party, out 7 November.

The Beatles’ I’ve Just Seen A Face (Take 3) from the upcoming Anthology 4 offers an intimate look into McCartney’s 1965 recording sessions and the band’s mid-decade evolution.

The All-American Rejects have dropped their new single “Eggshell Tap-Dancer,” the latest taste of their upcoming 2026 album Sandbox.

Live At The Roxy Theatre (25th Anniversary Edition) will be released 7 November 2025 via Oglio Records, featuring 40 tracks across 2CDs, newly unearthed recordings, and the first-ever vinyl edition.

Karen Freedman reviews Pavlov’s Dog’s much-anticipated Melbourne debut at The Corner Hotel, 24 October 2025, a night of nostalgia, humour, and musical brilliance.