Warren Frye on “The Saga of the Earls of Orkney,” edited and translated by Judith Jesch.
Mahler’s Third began with a blatty onset in the horns—but, as they continued, those horns were arresting. Part I as a whole ...
To end the night, Flórez sang another Donizetti aria, “Una furtiva lagrima,” from The Elixir of Love. This is an aria that ...
Jane Coombs on a performance of the Sukhishvili Georgian National Ballet, at Carnegie Hall.
On Old Master drawings, Caravaggio, the Budapest Festival Orchestra, Art Deco & more from the world of culture.
Longtime readers will know that The New Criterion has had what might politely be described as a fraught relationship with the National Endowments for the Arts and Humanities. Samuel Lipman, our ...
My aim is to show that we have entered a period of post-historical art, where the need for constant self-revolutionization of art is now past. There can and should never again be anything like the ...
On the state of “the literary life” a quarter-century after Joseph Epstein wrote on this subject for our inaugural issue.
On “Vermeer’s Masterpiece: The Milkmaid” at the Metropolitan Museum of Art, New York & “Monet’s Water Lilies” at the Museum of Modern Art, New York. Conceptually, the two exhibits are very similar, ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results