Over half a century and around the globe, Laura Mulvey’s influence on thinking about film, through her writing and her own filmmaking practice, has been unparalleled. As she receives a BFI Fellowship, ...

Palestinian filmmaker Kamal Aljafari’s vibrant documentary about everyday life in Gaza circa 2001 is an act of preservation and resistance writes Arron Kennon, one of the critics on this year’s LFF ...

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.

Eros and Thanatos battle it out in these horny Halloween horrors, where monstrosity, repressed sexuality and devilish decadence feed into some truly transgressive movies.

Learn more about an exciting new exhibition shining a light on the BFI National Archive, some recent study days and what the archive looked like in the 1980s.

Ahmed stars Ash, a go-between for corporate whistleblowers, in Justin Piasecki and David Mackenzie’s smart surveillance conspiracy plot.

Coming to BFI Player this November are films by Bong Joon Ho, Gaspar Noé and Ken Loach, plus a subscription exclusive for Saoirse Ronan in The Outrun.

Palestinian director Annemarie Jacir’s sweeping period film tackles a moment of profound change: the year 1936, when the Great Palestinian Revolt broke through the complacency of British rule.

Emma Stone stars as a CEO who is kidnapped and accused of being an alien in Lanthimos’s dark and schlocky class-warfare thriller.

Voting for the ever-popular LFF Audience Awards closes on Monday 20 October. The winners of Best Feature Film and Best British Feature Film categories will be announced in due course. 2024 winners of ...

American producers the Danziger brothers established a hive of brisk, low-budget genre movies and cult TV in 1950s Britain. Son of a Stranger was a crime melodrama that tapped into the current vogue ...

Ninety years after his birth, and as a season of his films begins at the ICA, we suggest a beginner’s path through one of the heavyweights of European arthouse cinema: Greek master Theo Angelopoulos.