The world of twelve-year-old boys terrifies me. The Plague, Charlie Polinger’s debut feature, validated that terror with ...
We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of ...
“Wipe your feet.” “Yes mum.” “Have you been in the horse field?” Her mother smacks a tea towel on the polished lino counter ...
Where does violence actually fall? Why, and for whom, are we suspending ethical norms? The exception cannot go uninterrogated ...
Amber Wang’s art includes motifs of bleeding, swollen, and ripe fruit which recalls wounding and the stigmata of the flesh. Recalling Caravaggio’s painting of Abraham at the cusp of sacrificing Isaac, ...
We begin Claire Thomas’ newest novel, On Not Climbing Mountains in Switzerland, with the Baedeker, a classic German travellers guide, but the story of Thomas’ novel defies the ...
Emily Scally recently debuted her illustrated colouring book Cozy Kindness – a release anticipated excitedly by her social ...
Conceived of by Orff as settings of a series of 24 medieval Latin, Old French and High German poems concerned with eternally human themes like love, desire, gluttony, and, as the title of the first ...
Disabilities Collective has introduced a new initiative to provide free Rapid Antigen Tests (RATs) to undergraduate students, ...
Two University of Sydney academics have had their posts removed from the university’s internal staff platform, Viva Engage (formerly Yammer), after raising concerns about the federal government’s ...
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