Her work is now in museums, but in the early 20th century, it was obscured by her romantic relationships with prominent men, among them her mentor, Edward Weston. Tina Modotti in an undated photo.

Tina Modotti's black and white self-portrait is a powerful testament to her dual identity as both an artist and subject. This piece embodies her commitment to "honest photography," capturing herself ...

On display online and at Throckmorton Fine Art in NYC, the exhibition features works taken from 1923 to 1926, when Weston and Modotti “were at the forefront of defining modern photography.” ByJane ...