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It’s 1954. Everyone likes Ike, nobody likes communism and Wade “Cry-Baby” Walker is the coolest boy in Baltimore. He’s a bad boy with a good cause – truth, justice and the pursuit of rock and roll.
Don’t let the title fool you. Expect to find yourself hysterical, possibly even howling, at the Long Island premiere of “Cry-Baby: The Musical,” a good girl-bad boy 1950s romance adapted from the John ...
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