The Brown Bunny A self-indulgent resurrection of '70s road movie aesthetics outfitted with long static takes seemingly intent on outdoing "Gerry," "The Brown Bunny" reps this year's definition of ...
Luna Guthrie is a Movie Features Editor for Collider, writer and film critic. She began as a writer for Collider in 2021 and joined the editorial team in 2024. She has a bachelor's degree in ...
No one can say that Vincent Gallo isn’t an auteur. One of the very first titles in the credit sequence of his new film, “The Brown Bunny,” proudly proclaims that it was written, directed, edited, and ...
DISPATCH FROM CANNES: Gallo’s “The Brown Bunny” Back in Cannes Spotlight with Wellspring Deal, “2046
Vincent Gallo‘s 2003 Cannes competition entry “The Brown Bunny” has secured a North American distribution deal. Wellspring will release the film theatrically in the U.S. in August, after closing a ...
A self-indulgent resurrection of '70s road movie aesthetics outfitted with long static takes seemingly intent on outdoing "Gerry," "The Brown Bunny" reps this year's definition of navel-gazing cinema, ...
At the end of “The Brown Bunny,” my wife turned to me and said, “Next time we hear somebody say they’ve just seen the worst movie ever made, let’s make a beeline for it, because chances are, it’s ...
Halfway through The Brown Bunny—after driving down long stretches of highway—Bud pulls off the road for some gas. He fills up the tank, then returns to the road, at which point many people in the ...
THE MOVIE was howled out of Cannes last year. Filmmaker Vincent Gallo and his leading lady, Chloe Sevigny, were practically led to the film critics' equivalent of a scaffold. It wasn't pretty. People ...
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